1992 ÑÎÁÛÒÈß

Basic Schedule:
Each Tuesday, 12am
Andrei Smirnov
Lecture course "Music and technology"
History, elements of musical acoustics, overview of sound synthesis technics, sound processing, MIDI, elements of sound production, weekly listening of the recordings from studio library. The purpose of a course - to give general representation about a history and modern practice of use of technology in music for professionals and music amateurs.

Each Wednesday, 6pm

Additional lectures and meetings with the guests,
listening and analysis of music from studio library, review and analysis of repertoire of electro-acoustic and computer music inaccessible earlier for listening owing to complete absence of the given areas in musical culture of the former USSR.

Each Saturday, 6pm

The sound production workshop.
Classes for the students preparing for individual work at studio.
Additional lectures and meetings with guests
   
September, 1992.
Eduard Artemiev
Composer, one of the founders of electro-acoustic music in Russia in 60-s. The author of music to the majority of Andrei Tarkovsky films.
History of electro-acoustic music
  Zak Lashkewich (Australia)
Representation of creative work: chamber and electro-acoustic music, musical performance, theater, dance.
October, 1992.
Vitaly Kataev
Program Cubase. The brief overview.
Photo
Alexey Grekov
Fractals in music and computer graphics.
The history, theory, demonstration of the author's software for fractal synthesis in computer graphics and applications in computer music.
  November, 1992
Maurice Mettot, Brown University, USA
Interactive music and program MAX.
Performance of interactive music for MIDI guitar and program MAX. Analysis of algorithms and technical means.
Photo December, 1992.
Jon Appleton, USA
Professor at Dartmouth College, USA, director of Bregman Electroacoustic Music Studio
Development of Synclavier Synthesizer, Introduction in electro-acoustic music.
Jon Appleton offers to name studio the Theremin Center
In January, 1993 Jon Appleton created the International Advisory Board of the Theremin Center including: Jon Appleton, Max Mathews, Lars-Gunnar Bodin, Jean-Claud Risset, Mark Battier.
Photo January, 1993.
Michael Prosniakov
Karlheinz Stokhausen: creative work in a context of development of electro-acoustic music.
Photo February, 1993.
Dror Filler, Sweden
Representation of music
March, 1993.
Eduard Artemiev
History of electro-acoustic music

Photo

1, June, 1993, 7pm, The Small Stage at Mossovet Theater
Theremin Center - Concert - Presentation

1. Alexey Korovin
- "Labyrinth"

2.Valery Beluntsov
- "Serratura Ruvida" for a voice, recorder and computer
Performers:
Valery Beluntsov - computers, voice, tenor recorder
Andrei Smirnov - soprano recorder

3. Sergey Kossenko
- "Race in the Rain" interactive music for MIDI-bicycle and computer
Sergey Kossenko - MIDI bicycle

4. Valery Beluntsov
- "Ricercari" or "The Curve Mirror" for the computer and 8-chennel tape
- "LZY" for the computer and electronics

5. Jorge Campos (Ecuador)
- "Jaravi" for a flute, percussion, computer and dancer
Performers:
Jorge Campos - computers
Daria Vorobiova - dance
Evgeny Brokmiller - flute