| 1992 | ÑÎÁÛÒÈß |
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Basic Schedule: Each Tuesday, 12am Andrei Smirnov Lecture course "Music and technology" History, elements of musical acoustics, overview of sound synthesis technics, sound processing, MIDI, elements of sound production, weekly listening of the recordings from studio library. The purpose of a course - to give general representation about a history and modern practice of use of technology in music for professionals and music amateurs. Each Wednesday, 6pm Additional lectures and meetings with the guests, listening and analysis of music from studio library, review and analysis of repertoire of electro-acoustic and computer music inaccessible earlier for listening owing to complete absence of the given areas in musical culture of the former USSR. Each Saturday, 6pm The sound production workshop. Classes for the students preparing for individual work at studio. Additional lectures and meetings with guests |
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September, 1992. Eduard Artemiev Composer, one of the founders of electro-acoustic music in Russia in 60-s. The author of music to the majority of Andrei Tarkovsky films. History of electro-acoustic music |
| Zak Lashkewich (Australia) Representation of creative work: chamber and electro-acoustic music, musical performance, theater, dance. |
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October, 1992. Vitaly Kataev Program Cubase. The brief overview. |
| Alexey Grekov Fractals in music and computer graphics. The history, theory, demonstration of the author's software for fractal synthesis in computer graphics and applications in computer music. |
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| November, 1992 Maurice Mettot, Brown University, USA Interactive music and program MAX. Performance of interactive music for MIDI guitar and program MAX. Analysis of algorithms and technical means. |
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| December, 1992. Jon Appleton, USA Professor at Dartmouth College, USA, director of Bregman Electroacoustic Music Studio Development of Synclavier Synthesizer, Introduction in electro-acoustic music. Jon Appleton offers to name studio the Theremin Center In January, 1993 Jon Appleton created the International Advisory Board of the Theremin Center including: Jon Appleton, Max Mathews, Lars-Gunnar Bodin, Jean-Claud Risset, Mark Battier. |
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| January, 1993. Michael Prosniakov Karlheinz Stokhausen: creative work in a context of development of electro-acoustic music. |
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| February, 1993. Dror Filler, Sweden Representation of music |
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March, 1993. Eduard Artemiev History of electro-acoustic music |
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1, June, 1993, 7pm, The Small Stage at Mossovet Theater Theremin Center - Concert - Presentation 1. Alexey Korovin - "Labyrinth" 2.Valery Beluntsov - "Serratura Ruvida" for a voice, recorder and computer Performers: Valery Beluntsov - computers, voice, tenor recorder Andrei Smirnov - soprano recorder 3. Sergey Kossenko - "Race in the Rain" interactive music for MIDI-bicycle and computer Sergey Kossenko - MIDI bicycle 4. Valery Beluntsov - "Ricercari" or "The Curve Mirror" for the computer and 8-chennel tape - "LZY" for the computer and electronics 5. Jorge Campos (Ecuador) - "Jaravi" for a flute, percussion, computer and dancer Performers: Jorge Campos - computers Daria Vorobiova - dance Evgeny Brokmiller - flute |